Wednesday, July 22, 2026

Avengers Infinity War (2018)


There have been eighteen prior Marvel Universe movies since 2008.  These have introduced a large number of characters, i.e. heroes, most of which come together in this movie to fight a single enemy named Thanos.  

Previous movies hinted at infinity stones being powerful and dangerous, and the need to keep them from evil.  It turns out Thanos is getting his hands on these stones and has an agenda that involves wiping out half the life in the galaxy.  Why?  His world collapsed due to overpopulation, so he takes it upon himself to solve this problem for everybody else.  If he gets all six stones he could kill every other person in the galaxy with just a snap of his fingers.

There have been a number of good Marvel movies in the last decade and many of the stories pick up in Avengers Infinity War from where they left off.   The action gets started early and almost never lets up.  One might think that this would be bad, but the action is done so well and the characters are so good that the movie feels like something truly special on a grand scale.  Never have we seen so many different stories and characters woven together so seamlessly.  This isn't just a movie, but an event a decade in the making.  

We see more of Thanos than we do any individual hero, making him in effect the main character.  This is as much his story as it is anybody else's, and he is played wonderfully by Josh Brolin.

With so many actors and effects, it is not surprising that the movie cost $360 million to make.  They got their money's worth.  Some have compared the film to Star Wars in terms of entertainment value, which is not a bad comparison.  It is one of the best movies I have ever seen.

Rating:  A+

Avengers Endgame (2019)


Avengers Endgame is 3 hours well spent. It is the worthy sequel to Avengers Infinity War. Both movies are the conclusion to 11 years of Marvel movies leading up to this one story. Infinity War was one of the best movies I have ever seen. Endgame is not quite as good, but it is close enough.

Rating: A-

YouTube Just Unlocked 10 Hard-to-Find Movies (FREE for a Short Time!)


Rotten Tomatoes scores...

State of Play 84%
The Great Santini  95%
Mystery Men  59%
American Sniper 71%
Inherent Vice 73%  (Very weird movie)
Patriots Day  80%
The Right Stuff  96%  (One of my all time favorite movies)
The World's End 89%  (Pretty goofy, but entertaining)
A Beautiful Mind 74%  (Won best picture.  I liked it, but with reservations.)
Das Boot 98% (Great submarine movie.)


Tuesday, July 21, 2026

1917 (2020)


The movie 1917 is likely to be one of the best movies I will see this year.  It follows a pair of World War I soldiers on a time-critical mission to get a message to another unit so as to avoid an attack that will end in disaster.  This is based on a real story told to writer and director Sam Mendes by his grandfather.

The movie is filmed in such a way that it appears to be one continuous shot, except for a couple of obvious breaks.  There are continuous shots that last at least 40 minutes.  The camera follows the soldiers through long trenches, across fields, into farmhouses, rivers, underground bunkers, and troop transports.  This is like another character because I spent the whole movie wondering how on earth did they film this?  It is technically very difficult to have everything properly lit while the camera follows the actors through miles of territory. 

The movie creates a suspense that is perfect.  There is not much direct combat, but the horrible aftermath of combat is everywhere in this movie.  On the journey, the soldiers are constantly passing dead bodies and destruction.  The way the movie is filmed gives it an extra sense of realism.

The movie is rated R for war violence and a few swear words.

Rating: A+.

This might be the movie of the decade, but since it had a limited release in late 2019, I'm not sure which decade. 😀

Saturday, July 18, 2026

Young Washington - Murica Forever!

Young Washington Movie Review

Contagion (2011)


I rewatched "Contagion" a decade after seeing it in the theater when it came out in 2011.

I have never seen a more prophetic movie in my entire life.  At least 80% of the film seems applicable to the current COVID-19 pandemic.  The biggest difference is the deadliness of the disease, which instead of being about 1% for known cases, it is around 25%.  But detail after detail comes up that I only recently learned about during the COVID crisis.

The movie has an 85% rating on Rotten Tomatoes, although not all the critics were equally enthusiastic.  The audience score is only 63%, so I suspect that the subject matter might have turned off some people.  Rotten Tomatoes describes it as, "Tense, tightly plotted, and bolstered by a stellar cast.  Contagion is an exceptionally smart -- and scary -- disaster movie."   I agree.  It tells a fantastic story.  My favorite movie critic, Richard Roeper, gives it 5 out of 5 stating, "Contagion" is a brilliantly executed disease outbreak movie."

The film puts much emphasis on how easily disease can spread and this adds to the tension.

The ending is great, giving a nice emotional catharsis followed by a revelation about how the pandemic started.

I saw this movie for the third time in 2026, and I still love it.  However, it is starting to show its age.

So I am revising my rating from "A+" to "A".

Friday, July 17, 2026

The Fault in Our Stars (2014)


Hazel Lancaster, a 16-year-old teenager with thyroid cancer that has spread to her lungs, meets a 17-year-old teenage boy, Augustus Waters, who has osteosarcoma that caused him to lose his leg.  They bond immediately and agree to read each other's favorite novel.  After reading the novel An Imperial Affliction, a book about cancer written by Peter Van Houten, they arrange to travel to Amsterdam to meet the author.   Although their meeting with Van Houten does not go well, the trip is memorable and allows them to bond further.  Shortly after that, health issues start to catch up with them.

The emotion in this movie hit me like a freight train.  This is a film that knows how to grab your heart and never let go.  It is the kind of film that is willing to be honest and intelligent about cancer, but wraps all that in a sweet romance.  In the beginning, the movie claims that it is not going to be artificial or upbeat, but the film tries to be as upbeat that its sad little story will allow it to be.

It is one of the best movies of the year.

Rating:  A

Ben Shapiro Reviews The Odyssey

Saturday, July 11, 2026

Cloud Atlas (2012)


It is rare that I applaud at the end of a movie, but when I do it is because I have just experienced something special.  I knew that my 3 hours was not wasted.  I felt that I had just lived through something and not just watched a story.    I noticed that only a couple of other people in the crowded dollar theater also applauded, but to be honest, this a highly complex movie that might go over many people's heads.

Cloud Atlas follows 6 very different stories, each taking place in a different time period, but with the same actors playing different roles, races and even genders in each time period.  Most of the stories are in the past, but a couple are in the distant future.  Watching this film is like watching 3 different episodes of LOST all at the same time.  The movie switches between stories somewhat seamlessly with the idea that they are all connected, as are the characters who seem to have reincarnated from one time period to the next.

The movie's philosophical bent seems to be one of reincarnation and karma.

The themes of this movie include karma, love, oppression/slavery, violence/murder, rebellion and hope.  The central idea is that we are all connected and events that happened long before we were born affect our lives and our lives will affect others long after we are gone.

The stories of Cloud Atlas are as follows:

Year 1849:  Adam Ewing (Jim Sturgess) is a lawyer crossing the Pacific in a ship who is involved a a business deal involving slavery.  He befriends an escaped slave (Keith David) while a greedy doctor (Tom Hanks) tries to poison him.  He is saved by the escaped slave and is able to return to his wife (Bae Doona) and confront his father in law (Hugo Weaving) over the issue of slavery.

Year 1936:  Robert Frobisher (Ben Whishaw) is a bisexual musician who goes to work for a famous but aging composer Vyvyan Ayrs (Jim Broadbent) and then develops an affair with the man's younger wife (Halle Berry).  Vyvyan tries to blackmail Robert, so Robert shoots him and then is on the run from the law.  He hides in a hotel where he is then blackmailed by the owner (Tom Hanks).   After barely finishing his musical masterpiece, Cloud Atlas, Robert kills himself.

Year 1973:  Luisa Rey (Halle Berry) is a journalist investigating an unsafe nuclear power plant run by a corrupt oil company.  (No agenda there.)  She is befriended by an engineer (Tom Hanks) and a security guard (Keith David).  She is then pursued by a hit man named Bill Smoke (Hugo Weaving)  hired by an oil executive (Hugh Grant).  Along the way she hears the music Cloud Atlas for the first time but somehow recognizes it.

Year 2012:  Timothy Cavendish (Jim Broadbent) is a publisher who has a windfall when his gangster author (Tom Hanks) commits murder at a party.  Other gangsters come after him so he flees to his antagonistic brother (Hugh Grant) who tricks him into permanently checking into a retirement home where he is abused by a sadistic female nurse (Hugo Weaving).  From there he plots his escape with other retirees.  This is the only humorous sequence in the film.

Year 2144: In a dystopian future, Sonmi-451 (Bae Doona), is an artificially created slave clone who simply waits tables when one of her fellow clones fights against being abused, but as a consequence is executed.  She is then recruited by a rebellion officer (Jim Sturgess), who she falls in love with, and a rebellion general (Keith David) who want to use her to broadcast a message of truth to the whole world.  Once the rebellion is crushed, she is interrogated by a not so friendly Asian inquisitor (Hugo Weaving).

Year 2321:  106 years after the fall of Earth, Zachry (Tom Hanks) is a primitive tribesman living on the Hawaiian islands.  His tribe is often attacked by cannibals, and Zachry often has visions of the Devil (Hugo Weaving) taunting him.  His people believe that the Devil lives on top of a mountain.  These people also have a myth about Sonmi-451 being a goddess.  The island is visited by Meronym (Halle Berry) who belongs to a small group of people who still have technology.  She tells Zachary that the Earth is dying and that they must travel to the top of the mountain, where there is a giant transmitter, so that they can send a request for help to humans on another world.

This last sequence uses a degraded form of English that is full of odd expressions like "true true."  It  makes the speech harder to follow but I was able to keep up.  When the movie comes out on DVD on 2013-02-05, I suggest turning on subtitles so as to better follow the dialogue.

The end credits show pictures of all the different roles that each actor plays, many of which come as surprise.  Sometimes the makeup is so heavy that you cannot easily recognize the actors.    This would be a fun movie to watch repeatedly so as to pick up on the different actors.

I highly recommend watching the eye popping trailer.  This is a film where the ideas are slightly better than the execution of the story.  I give this movie a great deal of credit for being different, daring and innovative.  In terms of acting and cinematography, the movie is a triumph.  The fact that a movie of this scale was independently made is astonishing.  This movie only has a 64% rating on Rotten Tomatoes, but I think that the complexity of the movie lost some people.  I wager that over time the movie will gain more acceptance and be considered a great film.

Roger Ebert said that this is one of the most ambitious films ever made

The movie is rated R for many brief moments of intense violence, along with some nudity, sexual situations and language.

Rating: A

Netflix Nabs One Of The Decade's Most Underrated Sci-Fi Movies



Cloud Atlas is a long movie.  It is almost 3 hours.  The first 38 minutes proceeds at a leisurely pace.  Emotionally the movie doesn't really connect with the audience until about 38 minutes into it.  From there the rest of the movie is a wild ride.

I have to give great praise to the editing that seamlessly switches between 6 different stories.  Had the movie been told in chronological order, it wouldn't have been as interesting and it wouldn't have conveyed the sense that all these different time periods are connected.  Individually, the 6 stories aren't enough to carry the movie, but switching between the stories makes the film more interesting.

Cloud Atlas has its own philosophy that is some sort of new age mysticism.  Some people are likely to think that this is pretty hokey, but with any movie you have to have a certain amount of suspension of disbelief just long enough to appreciate the movie for what it is.  It doesn't mean that you have to buy into its ideas.  Also, the length and complexity of the movie might turn off some viewers.  With a 66% rating on Rotten Tomatoes, this is another film that I think is greatly underappreciated.

After a second and third viewing, I am astonished at the film.  This is perhaps the best movie I have seen in the last decade, but I am thinking that not everyone will like it as much as I did.  It is a long, complex and somewhat hard to follow movie with a weird philosophy, but it is probably the most unique and ambitious film in years.

When you watch the movie, be sure to watch for a minute into the end credits where there is a little bonus that shows all the different characters each actor played.

Rating: A

Friday, July 10, 2026

Moana (2026)

I see that the live action version of Moana scores only 37% on Rotten Tomatoes. Why take a pretty good animated movie and remake it into a dull live action one?

The Lion King is a perfect animated movie, but in 2019 they gave us a new version that is longer and more boring.

https://www.rottentomatoes.com/m/moana_2026


Thursday, July 9, 2026

The Right Stuff (1983)

When The Right Stuff was released in 1983 it was not a commercial success despite high praise from critics.  There was maybe a sense by audiences that it was too overtly political or patriotic, which overtly it isn't.  However, the movie found some success in VHS and DVD sales.

This is essentially three stories:  The story of Chuck Yeager, the story of the Mercury "7" astronauts, and the story of the media and political circus over the early space program.  

The film doesn't pull any punches.  It likes to make fun of just about everything.  The movie spends much more time satirizing Lyndon Johnson or showing the indignities the astronauts had to go through than it does any form for space exploration.  This is not a film that is particularly interested in science;  it is much more interested in the human drama of its characters.  This combination of humor with patriotic heroism ends up being the perfect mixture.  In fact, the three-hour film feels like a perfect movie and 32 years later it is just as watchable. 

This movie loves trivial details which give the film an authentic feel.  It could have been 30 minutes shorter, but then it would have lost some of the atmosphere it gained from focussing on minutia. 

The musical score is wonderful.

I regret waiting at least 20 years to watch it again.  This is the kind of movie that would be fun to watch every 10 years.

Had I made the movie I would have put more emphasis on science, but that might have been boring to most people.  Maybe future generations will wonder why there isn't more science in the film?

Rating:  A

Wednesday, June 24, 2026

The Wild Robot (2024)


If you have seen the trailer for The Wild Robot, you might ask yourself, "Haven't I seen this movie before?"  The Iron Giant gave us a robot that fell from the sky but didn't know its origin or purpose and eventually rebelled against its creators. Over the Hedge gave us animals that talk and must cooperate to survive, along with a bear that is a bad guy.  Zootopia gave us an unscrupulous fox who helps the main character.  Logan's Run gave us humans living in a dome.  Silent Running gave us plants being grown in a dome.  Wall-E gave us robots with compassion while on a voyage of self-discovery, along with an evil robot trying to do them harm.  Bicentennial Man gave us a robot that rewrote his own programming to become more than he originally was, and so therefore the robot is wanted by his creators to find out what those changes are.  

Many of the elements we have seen before, but the movie is so well-written and well-executed that it is one of the best films I have seen in a while.  I was impressed.

However, the film is slightly too long.

Rating:  A

The following section contains spoilers:

I have one big complaint about a plot point that doesn't make sense and is likely there to push an agenda.  The robot is on an island with animals that normally compete with and kill each other.  While the animals are hibernating for the winter, a massive snowstorm threatens life on the island.  The robot takes it upon itself to bring some of the hibernating animals to a large shelter that it has built.  While in the shelter the animals agree to overcome their natural instincts and cooperate for their mutual survival.  

Logically this makes no sense.  If the animals are adapted to hibernate on the island, then they have already found shelter to survive the weather.  The robot, which has overcome its own programming, gets the animals to do the same and make a permanent truce.  So if the animals aren't going to hunt each other, how do they survive going forward?  The message is that competition is bad, and cooperation is good, which reminds me of Our Daily Bread, a Great Depression-era movie with a socialist message.  Both movies have a climactic scene about diverting water.




The Wild Robot - Movie Review

The Wild Robot - The Voices Behind the Animals